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NEW QUESTION: 1
Why Is the Man Screaming?
Edvard Munch's 1893 painting "The Scream" is a powerful work of art that has true aesthetic value. In its raw depiction of the unavoidable human emotions of alienation, anxiety and fear, "The Scream" invites meaningful introspection as the viewer internalizes its message of the vulnerability of the human psyche.
"The Scream" is a very dynamic and yet frightening painting. The blood-red sky and eerie water/air seem to be moving and twirling, even enveloping the screaming man's mind as he stands on a bridge completely disregarded by passers-by who do not share in his horror. Viewers of the painting cannot help but ask:
Why is the man screaming? And why is he alone in is scream? What is he afraid of? Or, what has he realized or seen that is making him scream?
Why aren't the others as affected as he? The threat must be internal, yet the brushstrokes, colors and perspective seem to indicate that the horror is also bound to something in nature, something outside of the man. In any case, the agony and alienation are inescapable. Something horrible has happened or been realized by the man who cannot contain his horror, but has not affected the others on the bridge.
That the people in the background are calm and do not share this horror conveys a truth regarding the ownership of our own feelings. We are often alone in our feelings, as can be especially noticed when we are in pain. The horror is the man's own; he must carry it himself. In this expressionist piece, the black, red, and orange colors are both bold and dark, illuminating and haunting at the same time. Remarkably, the light from the blood-reds and vibrant oranges in the distant sky seem to be somewhat detached from the figure in the forefront, failing to reach his persona, suggesting that there is little to illuminate his (and the viewer's) fears. The man's face is nondescript; in fact, it almost looks more like a skull than a living man's face, hollow with two simple dots to indicate the nostrils, no hair, no wrinkles of the skin. This could be any man or woman, left to deal with his or her own horrors.
According to the author, what is the main effect of viewing this painting?
A. We feel a sense of calm and quiet.
B. We feel sorry for the screamer.
C. We feel like screaming.
D. We feel relieved that we are not on the bridge.
E. We feel haunted by his agony and horror.
Answer: E
Explanation:
Explanation/Reference:
Explanation:
The author says that it is "a very dynamic and yet frightening painting" that causes the viewers to wonder about the man's horror. Because the painting does not offer any answers to those questions, the viewers are left carrying the image of a screaming man with them, wondering what is the root of his horror. The author also states that the colors of the painting are "haunting" (line 35) and points out that viewers can connect to the man's feelings ("We are often alone in our feelings"). Choice a is incorrect because the main feeling conveyed by the painting is loneliness and horror; we do not know why he is suffering, so it is difficult to feel pity. We may feel relieved that we are not on the bridge (choice c), but the impact of the scream is far more powerful. We certainly do not feel a sense of calm and quiet (the "blood-red sky and eerie water/air seem to be moving and twirling"), so choice d is incorrect. Because the horror belongs to the man, not to us (although the point is that we can relate to that horror), the viewer is not likely to feel like screaming, so choice e is also incorrect.

NEW QUESTION: 2
Which cisco NX-OS feature can be used to build highly scalable layer 2 multipath networks without utilizing the spanning tree protocol?
A. vPC
B. FabricPath
C. OTV
D. MST
Answer: A

NEW QUESTION: 3
Which statement defines which role scope plays in the correlation rule?
A. The scope defines how much of the trigger node CI population is required to cause the trigger to fire
B. The scope defines which CIs will be affected by the correlation rule
C. The scope regulates how often the correlation rule runs
D. The scope defines the possible states for a correlation rule
Answer: A

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